The Coral Hart Group
Wednesday 7 October 2026Coral Wire · today’s wire
The suite

Six companies, one spine.

PlotProse, Perfect Year, TropeSmith, BookAdPack, Authors Starport and Coral Wire. Each stands on its own. Together they cover an author’s whole commercial year.

2,400authors served
216products live
3,000+capabilities, proven daily
89sources, scored twice a day

Also from the group: Author Services and Micro Drama Studio.

Reader signal · measured by TropeSmith

Share of romance reader conversation, eight weeks to 17 August 2026

Eighteen romance lanes, ranked by their share of every tracked reader mention, with the change in percentage points against the eight weeks before. Refreshed weekly; the date above is the date of the data.

SHARE OF ROMANCE READER CONVERSATION · LATEST SETTLED 8 WEEKS, TO 17 AUG 2026
PARANORMAL4.84%▲ +0.09ppSMALL TOWN3.81%▼ 0.64ppCONTEMPORARY3.46%▼ 0.62ppCLEAN & WHOLESOME3.27%▲ +0.30ppMAFIA3.14%▼ 0.17ppMM ROMANCE2.84%▼ 1.18ppENEMIES TO LOVERS2.77%▼ 0.08ppROMCOM2.54%▲ +0.38ppDIVORCE FICTION2.53%▲ +1.46ppDARK ROMANCE2.49%▼ 0.27ppBI ROMANCE2.47%▼ 1.47ppROMANTIC FANTASY2.46%▲ +0.79ppWORKPLACE2.43%▼ 0.54ppBLACK & AFRICAN AMERICAN2.39%▲ +0.38ppPOLYAMORY2.34%▼ 0.52ppWESTERN2.27%▼ 0.76ppROMANTASY2.26%▲ +0.59ppACTION & ADVENTURE2.26%▲ +0.06pp
18 romance lanes · 370,859 tracked reader mentions · share of conversation, change in percentage points · how we measure this
What we’ve launched

216 products live, 3,000+ capabilities re-proven every day

Harvested straight from the storefront and the capability map rather than typed into a slide. If something a client depends on goes down, our own map says so first.

108Skip-the-Draft manuscripts

Complete, ready-to-publish manuscript packages across the romance sub-genres.

32AI writing kits & prompt vaults

Tested prompt libraries and creation kits, distilled from the teaching vault.

19Pre-made romance outlines

Structured outlines built on live trope-demand data.

15Live author training

Workshops, live writes, genre intensives and one-to-one sessions.

5Beta Reader Ready

Manuscripts taken to beta-reader standard.

Genre lanes covered: Skip-the-Draft 108 · Author Training 42 · AI Writing 32 · All Outlines 19 · Contemporary Romance 13 · Plotprose's AI Creation Kits 11 · Dark Romance 9 · Romantic Comedy 8 · AI Creation Kits 8 · Paranormal Romance 6.

The Romance Author's Prompt VaultChristmas for Authors: Marketing WorkshopTimber Ridge Crew — A Mountain Man Instalove Seriesno talking in the libraryDead Serious About This House — A 5-Book Cozy Paranormal Mystery SeriesWhy Your Book Isn't Getting Seen — On Demand

Catalogue and capability figures harvested 05 October 2026.

How it works

The products are downstream of one data operation

That is the whole idea. Nothing here runs on guesswork or recycled advice.

1 · Gather89 sources, twice a day

Publisher feeds, AI labs, retail signals, reader communities and live court dockets, pulled and scored twice every day.

2 · MeasureWhat readers are buying, at trope level

Refreshed against live retail data rather than last year’s advice. The public cut is the 2026 Romance Demand Report: 378 romance BookTok hashtags analysed, and the five tropes where reader demand outruns the published supply by up to 125 to 1.

3 · BuildSignal lands in the products

The ads an author runs, the year they plan, the books they decide to write next.

4 · Prove3,000+ capabilities, re-proven daily

Anything that cannot be proven is marked unproven and does not count.

Position

Where we stand on AI

We build AI tools for authors, and we’re the first to say the technology has been oversold to writers. So we’re specific about what we do.

We don’t sell “write your book for you.” The products do the commercial work around the writing: research, advertising creative, scheduling, planning. The author spends their hours on the pages.

Disclosure is the default. Coral Wire is presented by an AI host and says so on every edition. Generated creative is labelled where the platform supports it and wherever a reader would reasonably want to know.

The author owns the work. Manuscripts, brand assets and reader lists belong to the author, and they leave with them.

This is a live argument in the writing community. We’d rather be on the record than quietly on either side of it.