The method The New York Times wrote about. Fifteen years of romance craft, distilled into a workflow that lets a working author publish more without losing their voice. Taught through PlotProse.
A carpenter who refuses to use a power drill isn’t more authentic. They’re just slower.
Before a single word. Before an outline. Before tools. Who is she? What trope did she come here for? What feeling is she buying? The craft begins — and ends — with that person. Everything downstream is just delivery.
A romance novel is a contract. The promise is in the trope; the structure is in the beats. I spend disproportionate time on the outline because it’s the only place where changes are cheap. The tools accelerate the drafting, not the thinking.
Tools earn their keep in the sideways work — untangling plot knots, stress-testing scenes, surfacing tropes I haven’t considered. But the sentences that land — the lines a reader underlines — those still come from a human in a chair, thinking hard.
Voice is the thing that doesn’t survive a careless workflow. So we build checks into the Method: pre-written voice references, line-level passes, read-alouds, the deliberate slowing down that keeps a novel feeling like it was written by one specific human being.
Indie publishing is a feedback loop. Reviews are data. Ranking is data. Return-reader-rate is the most honest data there is. The Method loops production back into reader signal — you’re not writing in the dark, you’re writing with the lights on.
The trope. The heat level. The reader avatar. The emotional promise. Drafted in a notebook before anything else happens.
Beat sheet. Scene-by-scene outline. Character chemistry map. Conflict ladder. Tools accelerate the cross-checking; the calls are mine.
Scene-by-scene drafts with voice references locked in. Tools help with continuity, research, and stress-testing. I write every sentence that lands.
Line edits by ear. Sensitivity reads. ARC team feedback. Launch copy. Reader signal coming back in within the first seven days.
Everything below sits on PlotProse — the author-training platform I built around the Method. Pick whichever entry point fits where you are.
Trope-tagged romance outlines with the prompt packs to draft them. For writers who want to skip the blank-page paralysis.
Learn the Method in real time. An ongoing membership to the Author’s Study classroom, plus live workshops with me in the room.
The done-for-you tier. A complete manuscript package — outlined, drafted, handed to you to refine and publish.
Prefer to have me teach your room? I speak at author retreats, conferences, and industry panels — the Method works on stage too.