Six companies on one data spine — market intelligence, launch creative, year-long planning, craft tooling and a daily newsroom. Founded and led by Coral Hart.
Each stands on its own. Together they cover an author’s whole commercial year — research it, plan it, write it, launch it, sell it.

Training, outlines and the storefront. Where an author starts.

An author’s whole publishing year, planned and run for them.

What readers are actually buying, at trope level.

A complete, on-brand advertising pack for a book — same day.

Line editing and manuscript tooling for working novelists.
AI news for authors, daily. Free, and published every day.
216 products live across the group, and 1,700+ capabilities re-proven every day — if something a client depends on goes down, our own map says so first.
Complete, ready-to-publish manuscript packages across the romance sub-genres.
Tested prompt libraries and creation kits, distilled from the teaching vault.
Structured outlines built on live trope-demand data.
Workshops, live writes, genre intensives and one-to-one sessions.
Manuscripts taken to beta-reader standard.
The Romance Author's Prompt Vault
Christmas for Authors: Marketing Workshop
Timber Ridge Crew — A Mountain Man Instalove Series
no talking in the library
The Blood-Bound Syndicate
Why Your Book Isn't Getting Seen — On Demand
NEW LAUNCHPAD
Cardinal Rules — A Contemporary Medical Romance Series
THINGS GET MESSY
Gold Buckle Winter
The Continuity Engine — On Demand
One on One with CoralCatalogue and capability figures harvested 28 August 2026.
Our daily read on the AI story as it actually lands on authors. 89 sources, reader communities and live court dockets, scored twice a day. Free, every day.
Where we put our arguments about AI, disclosure and the business of publishing.
We’re at the centre of a real argument about AI and books, and we’d rather point at all of it than curate the flattering half. The coverage below includes the pieces that think we’re wrong.

Coral Hart spent fifteen years learning publishing the hard way — editor, cover designer, ghostwriter, indie publisher — before writing ninety-six books the long way and two hundred and sixteen after.
The group grew out of what she learned doing it: the research, the advertising, the planning and the scheduling, turned into software other authors could run. She has been profiled by The New York Times and The Atlantic, appeared on The Daily, and taken the argument straight to the writing community — including the parts of it that think she is wrong. That is deliberate. This industry is being decided in public.